Honored that my friend Barbara McAfee agreed to help me with this greeting card project a few years ago. Her interpretation of the message of my song, “Where the Angels Live,” in this spoken word meditation (shared below) was a beautiful addition to the project and a gracious contribution on her part. She also helped me record the musical tracks for each of the three cards in the series, adding piano and harmonies that lifted my melodies and lyrics to their fullest. Deeply touched that she felt moved to write about our collaborative endeavor in this post.
If you’d like to read more about the greeting card project, and hear snippets of Barbara’s collaboration on other tracks in the series, visit: https://studio-lu.net/cards-by-studio-lu/
“Just as people have eyes to see light with and ears to hear sounds with, so they have hearts for the appreciation of time.”— Michael Ende
If you are skittish about the topic of death, then stop reading this post right now. Or better yet, don’t. I used to be one of those people, superstitious that talk of death would draw it nearer somehow. Yet, when one of my closest friends was diagnosed with terminal cancer, it became a topic I could not avoid. And guess what? I found out that talking about death could actually be a very life affirming act.
I’ve been reminded of this irony recently by a friend of a friend of mine, a man I never met but whose forthright manner of living with and ultimately dying from ALS has inspired and touched me since I first heard his story. When my friend Barbara McAfee asked me to create a video of her song about her friend Jamie Showkeir, I had no idea I’d be drawn so completely into his story that I’d feel I knew him personally. Read More
“And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.” — Antoine de Saint-Exupéry, The Little Prince
The first time it happened it was a quarter, not a penny. I was on a trail I’ve walked regularly for over a decade, where I’d never found a dropped coin before, and there it was near the end of my walk. I scooped it into my hand without breaking my stride and tucked it in my pocket. Was it a sign? A message? Ever the skeptic, I decided it would only mean something if the year on it was significant in some way. Read More
I have two pairs of pink crocs in my closet. One pair is mine. One belongs to one of my closest friends. I have my friend’s pair because I brought them home with me last year when I returned from her memorial service. She died of metastatic breast cancer at the age of 48. But I still think of the shoes as hers, not mine.
A fellow walker saw our feet sticking out of our tent together and said, “I see a cute picture!” Grateful she took it for us.
I don’t know why I wanted her shoes. I just did. She’d bought us matching pairs in 2007 when we walked the Susan G. Komen Breast Cancer 3-Day together in Boston, her hometown. They were to be respite for our feet at the end of 20 miles walking each day. That year marked her fifth year cancer-free from when she was first diagnosed. We wanted to celebrate, but even more so we wanted to honor the occasion with an act of endurance, strength and perseverance. Walking 60 miles in three days and raising money for a cure for breast cancer seemed like just the right thing to do.
When I first got home with her shoes, I tried them on. They still had remnants of sand in them from Martha’s Vineyard, one of her happy places and where she’d been just a month before she died. I took the crocs off as soon as I’d put them on. I didn’t belong in her shoes. Yet, having them side by side with my own pink crocs has been a secret comfort in the months since she passed away.
The news of the bombings at the Boston Marathon on Monday rattled me. I guess it rattled us all, as senseless, tragic and heartbreaking acts always do. Out of longstanding habit, I had the urge all Monday afternoon to text my friend. We would have traded notes and shared our shock. I would have sought reassurance that she and her family were alright. I felt her absence even more keenly than usual, and was deeply saddened as I thought about how many families would be shaken by trauma and loss from the bombings.
I have spent a fair amount of time in Boston over the years, both before and after the 3-Day Walk, and have always been fond of the city. I’ve collected a lot of good memories there. But covering 60 miles on foot through its streets and communities put it right smack dab in the center of my heart in a way that was altogether more personal and permanent. From the police officers in every town who didn’t just provide logistical support but smiled with kind words, their own stories, funny jokes and moral support, to the throngs of cheering crowds along the route, there’s just something special about Boston. I’ve walked the 3-Day two more times since in my own hometown and I mean no offense whatsoever to the Twin Cities, but no one cheers like Bostonians. It makes me think that the hearty, New England, patriot soul of the city gives its inhabitants an especially deep reverence for acts of endurance, strength and perseverance.
In my sadness on Monday evening, I happened to see the pink crocs in my closet. Just seeing them made me feel comforted, so I decided to put them on. I grabbed what I thought were mine, yet when I tried to slip into them, I realized I’d gotten two left shoes. I pulled out the remaining two thinking I could quickly sort out which was which. I remembered my friend’s shoes as having been far less scuffed and worn than my own and, of course, there was the tell-tale sand that would be definitive proof. Yet, turning the shoes over and over, I couldn’t tell which pair was which. Both are the same size and though the particulars of the scuffs were different, the amount of wear was just the same. The Martha’s Vineyard sand must have long since migrated to my closet floor.
Interestingly, instead of feeling sad, I was actually even more comforted by the fact that our shoes were now indistinguishable. I put on a left and a right and hoped that by luck I had chosen one of each of our pairs.
At the close of each 3-Day, there is a tradition that all walkers who have not been through cancer to take off a shoe and kneel in salute as those walkers who have been through cancer march into the event’s closing ceremonies. It is a small and symbolic way to honor the endurance, strength and perseverance of those who have been through the disease. Each time I have been a part of this ceremony, I have been moved to tears. But the one I remember most and hold closest to my heart was that first time in Boston.
So, Boston, I hope you can see me. Just like in the faded clipping I saved from the font page of The Globe six years ago, I am kneeling on the ground and raising one pink croc high in air, waving it proudly for you in salute and solidarity. We’re all in this together.
Every song has a story. But sometimes you don’t know the full story until the song itself shows you. Even if you wrote the song yourself.
Long plagued by stage fright when it comes to singing, I was preparing to do so for the first time in front of an audience for an evening of my own songs and stories. Don’t get me wrong, I’m not afraid of speaking to an audience; I love that part. It’s the singing that makes me feel vulnerable.
As I practiced and prepared, I kept picturing myself as the American Idol contestant who warbles embarrassingly off-key as the judges fidget. Every vulnerability I’d ever felt seemed to be right on the surface of my skin. Yet, as I was fending off my inner demons, I found a song forming in my mind that became a lifeline out of the turmoil. Actually, it felt more like a secret mantra; a mere five lines that gave me enormous comfort and calm.
One of my closest friends, who knew me well enough to realize how challenging this first public singing performance would feel for me, asked if she could fly out from her home in Boston to mine in Minneapolis to attend. “If it makes you more nervous, I won’t come,” she said. “Please come,” I replied.
The morning of the performance, I sang this new song for her. Simple, a capella. It was much too new to add to my set list, but I truly believed it had come to me so that I’d feel the confidence and courage I needed in order to sing for people that evening. What I didn’t know yet was that it would be several more years before I would realize the song’s true purpose: it was meant to be a lullaby for my friend.
When she was diagnosed with breast cancer for a second time, we all assumed she would undergo treatment and put the disease behind her again. The day after she learned the diagnosis was terminal, she told me she’d had a sleepless night. She lay awake, she said, and envisioned every possible outcome— from the one where she would defy the odds and live to be 100 to the one where I would sing “Where the Angels Live” at her memorial service.
I came to see her when she returned home from the hospital for the last time and began hospice care. The time between her diagnosis and this visit was shorter than any of us would have liked. And that’s the biggest understatement I’ve ever made. But the time was also filled with heart-rending moments of grace, of touching poignancy, of riotous laughter, of honesty and, most of all, love.
She told me a few months before she died that she was “banking memories” for herself and for everyone she loved, consciously making time for moments together that would sustain her and the rest of us through her passing. She was filling the well, she said.
I did sing for her at her memorial service. And I brought my oldest child, her goddaughter, to sing with me. The song deserved harmonies. My ukulele was the simple accompaniment, though I was fairly certain that the people in the back of the church might not even hear it. The important part, I knew, was the voices.
I told the overflowing crowd of her family, friends and colleagues that we all had a job to do together. And then I shared the promise that I had made to her. The night before I left her for the last time, she had wanted to discuss her memorial service. I promised her again that I would sing, but told her that I also planned to ask everyone sing with me. In singing together, I’d said, we’d not only help ourselves begin to heal but our voices in unison would lift the song to the high heavens as a lullaby for her.
On a fall day that began with rain and ended with the sun peeking out from the clouds, in a quaint New England church, I kept my promise to my friend. And, in doing so, I realized the true purpose of my song. I felt it in my bones. I knew it in my heart. I heard it in all the voices that joined together to sing with my daughter and me. The well is deep; there is no limit to love.
∞ ∞ ∞
Where the Angels Live
Can you feel the space between heartbeat and breath?
Click this link for the audio version of the narrative, if you’d like to hear the story told, rather than read it.
Though I recorded a version of “Where the Angels Live” in studio with full piano and guitar accompaniment, I felt it was important to also create the simple, spare lullaby version that my daughter and I sang at my friend’s memorial service. Recorded at home, I paired the song with nature photographs by J. Marion Brown in a video to honor the memory of my dear friend.
The Elizabeth Alling Sewall Endowment Fund was established at the Dana Farber Cancer Institute to support research to help find a cure for breast cancer. If you’d like to learn more about this worthy cause, please visit this site, which also tells more about Elizabeth’s life.
I am a pack-rat of the highest order. I save everything. Well, not everything. I save memories. Photographs, letters, old cassette tapes with recordings of friends and family, and ancient family movies. But the problem is that if you save everything, you sometimes can’t find what you need when you need it.
For months I had been thinking about an old cassette tape that my father recorded for me on the weekend of my graduation from high school. While I was out at parties with my friends, my father recorded messages from family members visiting for my graduation. What I remember most from that tape is my grandfather’s laugh. I kept replaying the tape in my mind, but I desperately wanted to find the real thing.
My grandfather, Forrest Lee Mathews, was a booming presence, someone who was prone to taking people by surprise when he spoke. He said exactly what he thought—no mincing words. He had a wonderful sense of humor and a down-to-earth eye on the world. Every time I listened to the tape, I could feel the delicious tension in the room when my father asked his father to record a message for me. My grandmothers had just delivered their messages, short and sweet, and while I cherish the sound of their voices on that tape, I can hear their discomfort at being recorded. “Lucy, we are so proud of you,” said one. “We are so happy to be here, Lucy,” said the other.
When the microphone got to my grandfather, I could practically hear the collective holding of breath as everyone waited in anticipation of what he might say. He began to speak slowly, with all the natural warmth and charm that was his essence. I have always wondered if he thought in advance about what he would say, or if he simply made it up as each word rolled off his tongue. In his gentle southern accent, he proceeded to deliver a message that surprised everyone and resulted in laughter around the room. I think even he was surprised at how funny everyone found his comment. He, too, began to laugh, and got so “tickled” (as we say in the south) he barely got his closing sentences out. The moment is so candid and real, the laughter so unplanned and so true, that I feel lighter when I listen to it. And I feel closer to my grandfather. It’s as if he’s in the room with me.
The good news is that I did find the tape. The clip here is for anyone who is curious to know exactly what my grandfather said that day. And I’m now taking more seriously the chore of cataloging and organizing all my pack-rat treasures because they hold so many important memories for me.
But the bigger question that has arisen for me from all of this is: how do we “archive” the ones we love? What bits and pieces, handwritten notes, recorded audio do we select to create a full picture of someone? Bigger yet, perhaps, how do we archive ourselves? What is the essence of me that I will want my granddaughter to search for one day?
Of course, there is no simple checklist. The answer is personal to each one of us. In thinking of my grandfather, I wanted most to hear his laughter. In fact, that’s a sound I cherish about everyone dear to me. But there’s so much more that can help create a full picture of someone– hearing a narration of a familiar story; reading a handwritten letter that captures a moment just after it unfolded; hearing someone speak about what matters most to them; and, of course, looking at photographs or watching a home movie. We can capture so much in this digital era, but how do we make sure we capture the most important things?
So I am posing the question rather than answering it– what relics or treasures are most important to you about the ones you love or about yourself? Is anyone else a pack-rat like me, squirreling away treasures of memory? (I know you’re out there!) What do you keep and why?